![]() ![]() For a non-sounding Earth Day intervention, Rory invites us to consider switching off electrical usage, across the whole of UAL, for one day. Switch Off: Rory Salter (Sound Arts Technician). Each tiny microsound, or grain, represents one person and, taken as a whole, they number ten billion. This piece responds to the mind-boggling number, ten billion, by giving it a sonic form. If this prediction is correct, a staggering population boom will occur over the coming thirty years, at a rate never previously witnessed by mankind. The United Nations recently predicted that the world population will exceed ten billion by the year 2050. A work that invites us into the sonic world of peat bogs - vital carbon sinks for the earth - composed here across voice, soundscape and modes of storytelling.ġ0 Billion (Binaural Excerpt): Adam Stanovic (Programme Director for Sound and Music). ![]() The larger the room, the more the issue shifts to reverberation time or reflections. The smaller the room, the larger the low frequency pressure issue is. Look at the lowest wave like that the speaker produces, we need to have distance to allow for that wave to fit into the room dimensions. Peat Song: Julia Schauerman (incoming PhD researcher at CRiSAP, London College of Communication). A 40-foot-long room and a 30-Hz wave works perfectly. An unedited ‘walkthrough’ field recording of a data centre that was, at the time (2016), the largest blockchain facility in Europe, in Iceland. KEF 201C: Matt Parker (Former PhD researcher at CRiSAP, London College of Communication). Made during a residency at Full of Noises (Barrow-in-Furness, UK) in September 2021, Hannah built a series of antennas to pick up the Earth’s natural static: capturing lightning and atmospheric disturbances around Cumbria, UK. Searching for Sferics: Hannah Kemp-Welch (PhD researcher at CRiSAP, London College of Communication). Born out of a residency at Joya arte ecologia in Velez Blanco (southern Spain) the work presents a sonic transect (line) of a mountain’s technocultural ecology. Published on limited vinyl by multi.modal recordings.įrom a Wind Turbine to Vultures (And Back): Kate Carr (PhD researcher at CRiSAP, London College of Communication). An experimental foley (post-production sfx) artwork that propels listening towards a scorched earth scenario in which a more-than-human figure navigates the landscape. I had the four walls and ceiling blast-sprayed by an acoustic contractor who did movie theatres in the 80s, and had 2'x3' wood slats nailed on the walls for diffusion purposes. Produced as part of a limited vinyl (Systems for a Score), the work is a result of collaborations with UAE-based musicians, artists and school children, improvising and interpreting traditional Emirati weave (Al Sadu) as graphic scores.ĭecoys: Angus Carlyle and Mark Peter Wright (CRiSAP Members, London College of Communication). Just sharing pics my dedicated listening room built in 1992, area is about 18 feet wide x 23 feet long with a 10 ceiling. May the Future Keep its Core: Fari Bradley (PhD researcher at CRiSAP, London College of Communication). Installed as a playback film for the ears, you are invited into a mixture of human, animal, technological and environmental sounds across artistic works that explore the entanglements of atmospheric transmissions, more- than-human worlds, wind turbines, geosonics, data centers and more.įeaturing works by LCC staff and students: Each month local musicians, DJs, and library staff handpick a selection of albums from this collection to feature in the Vinyl Revival Listening Room.BA Sound Arts and Design course will host a one-off listening room featuring soundworks from staff and researchers from CRiSAP, London College of Communication. Suicide is the major single cause of death in men. HCL’s vinyl record collection contains over 15,000 albums, including the Matthew Marvel Dance Music Collection – a generous donation of 5000+ LPs and singles received in 2021 from the estate of the Minneapolis-born DJ and producer. Most of those who die have sought but not found support and help. A live music venue and restaurant in Nashville, TN and Pigeon Forge, TN With amazing live music and delicious food and drinks, The Listening Room is perfect. The room can be reserved up to two hours a day by users 18 or older (or a parent or guardian may reserve it for a child). Seating includes two lounge chairs and a low coffee table, with one desk chair and desk. The Vinyl Revival Listening Room is located on the third floor in N-301 and comes equipped with one stereo turntable, one 4-channel stereo headphone amplifier and two pairs of studio headphones. Give HCL's vinyl record collection a spin at Minneapolis Central Library. ![]()
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