Crews will patrol and mop-up the edge of the burnout to look for and extinguish any additional heat sources. Successful completion of a burnout-a process that removes unburned fuel to stop fire progression-was achieved yesterday near the Alturas Creek Road and Highway 75 junction. Crews continue to look for and contain any small spot fires on the east side of the Salmon that were caused by embers last Thursday. Hotshot crews are hiking into the forest above the Headwaters of the Salmon River to look for opportunities to stop the fire there. Mop-up is the process of extinguishing all heat sources along as much of the edge as they can safely reach, to create a line to stop additional growth. Crews will “mop-up” those edges today, from Alturas Lake and south, along the South Fork of the Salmon River. The smoke has put a damper on the fire for the past two days, allowing firefighters to make great progress securing the edges of the perimeter, especially on the eastern side. Thick smoke across the Ross Fork Fire area will continue to limit fire growth again today but if the smoke clears, we may see active fire behavior this afternoon. Location: Sawtooth National Forest, Idahoįuel Type: Timber Litter/Timber/Short Grass "We do not have an adequate level of control and explainability over how our systems use data, and thus we can't confidently make controlled policy changes or external commitments such as 'we will not use X data for Y purpose.' And, yet, this is exactly what regulators expect us to do, increasing our risk of mistakes and misrepresentation," the document read.Fire Information: Email: daily from 7 a.m. This internal document was written in 2021 by Facebook privacy engineers on the Ad and Business Product team, the group tasked to build and maintain the social network's ads system. The engineers not knowing where user data is kept also lends credence to an internal document leaked in April 2022, claiming Facebook can't tell where all the data it gathers comes from or is stored. We have made-and continue making-significant investments to meet our privacy commitments and obligations, including extensive data controls." "We've built one of the most comprehensive privacy programs to oversee data use across our operations and to carefully manage and protect people's data. In a statement, she said, "Our systems are sophisticated and it shouldn't be a surprise that no single company engineer can answer every question about where each piece of user information is stored." However, the engineers' inability to give solid answers as to where Facebook user data is kept doesn't surprise Dina El-Kassaby, a spokesperson from Meta. The Intercept, which first reported this story, has noted Garrie's seeming disbelief over simple questions left unanswered. "It would take a significant team effort to even be able to answer that question." "I don't believe there's a single person that exists who could answer that question," Zarashaw said, according to the transcript. Garrie has attempted to get Facebook to reveal where personal data is stored in its 55 subsystems, but two veteran Facebook engineers-Eugene Zarashaw and Steven Elia-who were present at the hearing, couldn't give satisfying answers. The hearing is part of an ongoing lawsuit concerning the Facebook-Cambridge Analytica scandal. To everyone's frustration, their response was, essentially, "We don't know." In the recently unsealed transcript of a hearing led by "Discovery Special Master" Daniel Garrie, an expert appointed by the court, two Facebook engineers were grilled regarding what user data the company keeps about its users and where they are. If it takes a village to raise a child, apparently it takes Facebook a team to tell you what data the company keeps about you and where they keep it.
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Send them on an area and perimeter scavenger hunt One room isn’t enough? Build a city! This is a cool activity for students who are ready to move on to volume, too. Students love to ask, “But when I will ever use this in real life?” Area and perimeter actually have a lot of real-life applications, like this project where students fill a room with furniture to see if they can make it all fit. ( Find more great ways to use them here.) Geoboards are another terrific tool that belong in every elementary classroom. Learn more: Teaching With a Mountain View 13. They’re a great tool to have on hand for a variety of math activities, including perimeter and area. If you’ve played Tetris, you’ll recognize pentomino blocks. Got square floor tiles? Use blue painter’s tape (it peels off easily, we promise) to make shapes and have your students calculate the areas. Use your floor tiles for area and perimeter Learn more: Upper Elementary Snapshots 11. Draw them using block letters, then calculate the perimeter and area. Students love activities using their own names. This cool little tune will help students remember when and how to use area and perimeter calculations. LEGOs are the perfect teaching tool for talking about area and perimeter. Explore area and perimeter with LEGO bricks Learn more: I Want To Be A Super Teacher 8. They can write in their calculations around the figure. Projects like these put the “A” in STEAM! Have students use square sticky notes to make a self portrait mosaic, or any other theme you choose. Have students draw themselves on graph paper, then figure out the area and perimeter. Read the book, and have students draw and calculate the table formations as you go. In Spaghetti and Meatballs for All!, the Comfort family reunion gets more complicated as guests insist on rearranging the seating chart. Learn more: Ashleigh’s Education Journey 5. Students can simply count the sides, which gets them ready for the next step. This is a great way to introduce perimeter without introducing the actual formulas right away. Square snacks like Cheez-Its are perfect for a hands-on activity with area and perimeter. For a non-sounding Earth Day intervention, Rory invites us to consider switching off electrical usage, across the whole of UAL, for one day. Switch Off: Rory Salter (Sound Arts Technician). Each tiny microsound, or grain, represents one person and, taken as a whole, they number ten billion. This piece responds to the mind-boggling number, ten billion, by giving it a sonic form. If this prediction is correct, a staggering population boom will occur over the coming thirty years, at a rate never previously witnessed by mankind. The United Nations recently predicted that the world population will exceed ten billion by the year 2050. A work that invites us into the sonic world of peat bogs - vital carbon sinks for the earth - composed here across voice, soundscape and modes of storytelling.ġ0 Billion (Binaural Excerpt): Adam Stanovic (Programme Director for Sound and Music). The larger the room, the more the issue shifts to reverberation time or reflections. The smaller the room, the larger the low frequency pressure issue is. Look at the lowest wave like that the speaker produces, we need to have distance to allow for that wave to fit into the room dimensions. Peat Song: Julia Schauerman (incoming PhD researcher at CRiSAP, London College of Communication). A 40-foot-long room and a 30-Hz wave works perfectly. An unedited ‘walkthrough’ field recording of a data centre that was, at the time (2016), the largest blockchain facility in Europe, in Iceland. KEF 201C: Matt Parker (Former PhD researcher at CRiSAP, London College of Communication). Made during a residency at Full of Noises (Barrow-in-Furness, UK) in September 2021, Hannah built a series of antennas to pick up the Earth’s natural static: capturing lightning and atmospheric disturbances around Cumbria, UK. Searching for Sferics: Hannah Kemp-Welch (PhD researcher at CRiSAP, London College of Communication). Born out of a residency at Joya arte ecologia in Velez Blanco (southern Spain) the work presents a sonic transect (line) of a mountain’s technocultural ecology. Published on limited vinyl by multi.modal recordings.įrom a Wind Turbine to Vultures (And Back): Kate Carr (PhD researcher at CRiSAP, London College of Communication). An experimental foley (post-production sfx) artwork that propels listening towards a scorched earth scenario in which a more-than-human figure navigates the landscape. I had the four walls and ceiling blast-sprayed by an acoustic contractor who did movie theatres in the 80s, and had 2'x3' wood slats nailed on the walls for diffusion purposes. Produced as part of a limited vinyl (Systems for a Score), the work is a result of collaborations with UAE-based musicians, artists and school children, improvising and interpreting traditional Emirati weave (Al Sadu) as graphic scores.ĭecoys: Angus Carlyle and Mark Peter Wright (CRiSAP Members, London College of Communication). Just sharing pics my dedicated listening room built in 1992, area is about 18 feet wide x 23 feet long with a 10 ceiling. May the Future Keep its Core: Fari Bradley (PhD researcher at CRiSAP, London College of Communication). 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Referred to as EvE Battle for 1.0, this edit fixes the incompatibility issues present in the original which prevent certain characters that use localcoords from displaying properly in M.U.G.E.N 1.0 and newer, but is otherwise identical to the original and does not include screenpack features introduced in 1.0, such as a victory screen.īased on DoomGuy II's EvE Battle for 1.0, this edit includes a victory quote screen and features a modified version of the original lifebars that replaces the diamond-shaped portrait boxes with square ones and subsequently repositions them below the lifebars, with the simul and turns variants seeing similar alterations while remaining above the lifebar like the original unlike the original, however, the boxes for the third and fourth teammates are always present regardless of whether the team mode is simul or turns. It is the same style as EvE only the characters are not categorized. 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